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Blue Roots

The phrase, ‘the blues’, is a reference to having ‘the blue devils’, meaning to have low spirits or sadness. Its music is a vocal and instrumental form based on the use of repetitive patterns that typically follow a twelve-bar structure. ‘The Blues’ evolved in the US in the communities of the south where former African slaves lived. It evolved from songs based on praise, shouts, and chants. The style of the music and the use of the call-and-response patterns are indicative of the blues' West African ties. The blues sound has greatly influenced Western popular music and has extended into jazz, rhythm and blues, rock and roll, country and pop music.

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Recordings of the blues can be found as far back as the 1920s, when the popular record industry developed. Originally it was called ‘race music’ or ‘hillbilly’ music in order to sell it to blacks and whites, respectively. It is not known exactly when the blues began but it is often dated between 1870 and 1900. This could be correct as this was the time that coincides with the emancipation of slaves and the transition from slavery in the southern US.

An early form of blues music was un-accompanied harmony generally free of a definable structure. The songs were filled with emotional content and heard in the fields of the cotton country. The ‘blues’, as it became known,  is now a musical style based on European and West African traditional sound.

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"In northern cities like Chicago and Detroit, during the later forties and early fifties, Muddy Waters, Willy Dixon, John Lee Hooker, Howlin' Wolf, and Elmore James among others, played what was basically Mississippi Delta blues, backed by bass, drums, piano and occasionally harmonica, and began scoring national hits with blues songs. At about the same time, T-Bone Walker in Houston and B.B. King in Memphis were pioneering a style of guitar playing that combined jazz technique with the blues tonality and repertoire" (History of Rock.com).

During its development,  blues music did not have a clearly defined structure. There were many tunes in 8 bar, 16 bar and even 9 bar. Some of the well known artists using these types of structure were Ray Charles and Howlin' Wolf. Over time, (1930s), twelve-bar blues had become the standard.

In the early 20th century, the blues was considered disreputable, especially as white audiences began listening to the blues during the 1920s. It was blamed for violence and bad behavior, being the "devil's music". At the beginning of the 1960s, various genres were influenced by this sound from ‘Rock and Roll’ to ‘Soul’. White performers began to bring blues music to a whole new audience, both in the US and abroad.

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The UK, has become very well known for producing it’s ‘blues heroes’ and as such, played an influential role in the development of popular music of the 1960s. The myriad of British blues bands included Fleetwood Mac, John Mayall & the Bluesbreakers, The Rolling Stones, Led Zeppelin, The Yardbirds, and Cream (The latter two featuring the ‘slowhand’ of Eric Clapton). In turn, the UK bands inspired America. Groups and artists such as Canned Heat, Janis Joplin, Johnny Winter, Ry Cooder and, of course, Jimi Hendrix emerged in the blues orientated field. Another style developed in America was ‘Texas Rock-Blues’. Influenced by the British rock-blues movement, it includes major artists like Stevie Ray Vaughan and The Fabulous Thunderbirds.

Blues has now become a major part of American cultural heritage and has seen the attention of everything from scholastic study to Hollywood movies.

Sources: Wikipedia, Media KnowAll: Popular Music, Piero Scaruffi: History of rock music, Encyclopedia Britannica 2002, BBC Online – Music.

Thanks for the images, go to: Robert Johnson: Deltahaze.com, RayCharles.com, JohnLeeHooker.com, Muddywalters.com, JohnMayall.com (Daniel E. Bauer), Eric Clapton & SR Vaughan:Wikipedia

 

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